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A.J. Weissbard

art, direction, and design, with light and space

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View fullsize  with light regards,
an installation by AJ Weissbard
Segheria, Milano, 2006
© photo by AJ Weissbard, 2006
View fullsize  with light regards,
an installation by AJ Weissbard
Segheria, Milano, 2006
© photo by AJ Weissbard, 2006
View fullsize  with light regards,
an installation by AJ Weissbard
Segheria, Milano, 2006
© photo by AJ Weissbard, 2006
View fullsize  with light regards,
an installation by AJ Weissbard
Segheria, Milano, 2006
© photo by AJ Weissbard, 2006
View fullsize  with light regards,
an installation by AJ Weissbard
Segheria, Milano, 2006
© photo by AJ Weissbard, 2006
View fullsize  with light regards,
an installation by AJ Weissbard
Segheria, Milano, 2006
© photo by AJ Weissbard, 2006
View fullsize  with light regards,
an installation by AJ Weissbard
Segheria, Milano, 2006
© photo by AJ Weissbard, 2006
View fullsize  with light regards,
an installation by AJ Weissbard
Segheria, Milano, 2006
© photo by AJ Weissbard, 2006
View fullsize  with light regards,
an installation by AJ Weissbard
Segheria, Milano, 2006
© photo by AJ Weissbard, 2006
View fullsize  with light regards,
an installation by AJ Weissbard
Segheria, Milano, 2006
© photo by AJ Weissbard, 2006
View fullsize  with light regards,
an installation by AJ Weissbard
Segheria, Milano, 2006
© photo by AJ Weissbard, 2006
View fullsize  with light regards,
an installation by AJ Weissbard
Segheria, Milano, 2006
© photo by AJ Weissbard, 2006
View fullsize  with light regards,
an installation by AJ Weissbard
Segheria, Milano, 2006
© photo by AJ Weissbard, 2006
View fullsize  with light regards,
an installation by AJ Weissbard
Segheria, Milano, 2006
© photo by AJ Weissbard, 2006
View fullsize  with light regards,
an installation by AJ Weissbard
Segheria, Milano, 2006
© photo by AJ Weissbard, 2006
View fullsize  with light regards,
an installation by AJ Weissbard
Segheria, Milano, 2006
© photo by AJ Weissbard, 2006
“Light seems ever-changing. We perceive it’s characteristics, intensity, form, direction and color, to be constantly shifting depending on their context. Within the exhibition, programmed lighting sequences were designed to be un-synchronized, and the play of sunlight was consciously used, so that in each moment the light was different and unique. No one moment was ever the same.”

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